Category: Audio Books

EFFECT OF THOUGHT ON HEALTH AND THE BODY THE body is the servant of the mind. It obeys the operations of the mind, whether they be deliberately chosen or automatically expressed. At the bidding of unlawful thoughts the body sinks rapidly into disease and decay; at the command of glad and beautiful thoughts it becomes clothed with youthfulness and beauty. Disease and health, like circumstances, are rooted in thought. Sickly thoughts will express themselves through a sickly body. Thoughts of fear have been known to kill a man as speedily…

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Nature helps every man to the gratification of the thoughts, which he most encourages, and opportunities are presented which will most speedily bring to the surface both the good and evil thoughts.Let a man cease from his sinful thoughts, and all the world will soften towards him, and be ready to help him; let him put away his weakly and sickly thoughts, and lo, opportunities will spring up on every hand to aid his strong resolves; let him encourage good thoughts, and no hard fate shall bind him down to…

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The proof of this truth is in every person, and it therefore admits of easy investigation by systematic introspection and self-analysis. Let a man radically alter his thoughts, and he will be astonished at the rapid transformation it will effect in the material conditions of his life. Men imagine that thought can be kept secret, but it cannot; it rapidly crystallizes into habit, and habit solidifies into circumstance. Bestial thoughts crystallize into habits of drunkenness and sensuality, which solidify into circumstances of destitution and disease: impure thoughts of every kind…

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Suffering is always the effect of wrong thought in some direction. It is an indication that the individual is out of harmony with himself, with the Law of his being. The sole and supreme use of suffering is to purify, to burn out all that is useless and impure. Suffering ceases for him who is pure. There could be no object in burning gold after the dross had been removed, and a perfectly pure and enlightened being could not suffer. The circumstances, which a man encounters with suffering, are the result of…

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Circumstances, however, are so complicated, thought is so deeply rooted, and the conditions of happiness vary so, vastly with individuals, that a man’s entire soul-condition (although it may be known to himself) cannot be judged by another from the external aspect of his life alone. A man may be honest in certain directions, yet suffer privations; a man may be dishonest in certain directions, yet acquire wealth; but the conclusion usually formed that the one man fails because of his particular honesty, and that the other prospers because of his particular dishonesty, is the…

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Men are anxious to improve their circumstances, but are unwilling to improve themselves; they therefore remain bound. The man who does not shrink from self-crucifixion can never fail to accomplish the object upon which his heart is set. This is as true of earthly as of heavenly things. Even the man whose sole object is to acquire wealth must be prepared to make great personal sacrifices before he can accomplish his object; and how much more so he who would realize a strong and well-poised life? Here is a man…

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A man does not come to the almshouse or the jail by the tyranny of fate or circumstance, but by the pathway of grovelling thoughts and base desires. Nor does a pure-minded man fall suddenly into crime by stress of any mere external force; the criminal thought had long been secretly fostered in the heart, and the hour of opportunity revealed its gathered power. Circumstance does not make the man; it reveals him to himself No such conditions can exist as descending into vice and its attendant sufferings apart from…

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Man is buffeted by circumstances so long as he believes himself to be the creature of outside conditions, but when he realizes that he is a creative power, and that he may command the hidden soil and seeds of his being out of which circumstances grow, he then becomes the rightful master of himself. That circumstances grow out of thought every man knows who has for any length of time practised self-control and self-purification, for he will have noticed that the alteration in his circumstances has been in exact ratio…

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EFFECT OF THOUGHT ON CIRCUMSTANCES MAN’S mind may be likened to a garden, which may be intelligently cultivated or allowed to run wild; but whether cultivated or neglected, it must, and will, bring forth. If no useful seeds are put into it, then an abundance of useless weed-seeds will fall therein, and will continue to produce their kind. Just as a gardener cultivates his plot, keeping it free from weeds, and growing the flowers and fruits which he requires, so may a man tend the garden of his mind, weeding out all the wrong, useless, and…

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Of all the beautiful truths pertaining to the soul which have been restored and brought to light in this age, none is more gladdening or fruitful of divine promise and confidence than this that man is the master of thought, the moulder of character, and the maker and shaper of condition, environment, and destiny. As a being of Power, Intelligence, and Love, and the lord of his own thoughts, man holds the key to every situation, and contains within himself that transforming and regenerative agency by which he may make…

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THOUGHT AND CHARACTER THE aphorism, “As a man thinketh in his heart so is he,” not only embraces the whole of a man’s being, but is so comprehensive as to reach out to every condition and circumstance of his life. A man is literally what he thinks, his character being the complete sum of all his thoughts. As the plant springs from, and could not be without, the seed, so every act of a man springs from the hidden seeds of thought, and could not have appeared without them. This…

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When he reproduces the likeness of existing forms, it is not for the sake of imitating or mimicking them, but because his finer perceptive instinct enables him to discern in forms ready at hand in Nature, certain pure ideas; and an indwelling Presence, of which he is conscious and with which his own life has become identified, clothes those ideas according to the peculiar artistic predilections or specially cultivated tastes of the individual mind through whose instrumentality they find outward shape. The Author and Creator of all expression within the…

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Some men of genius underestimate their creations, while others overestimate theirs. In Art, as in Nature, the deeper Self creates with lavish hand, and frequently scatters abroad the choicest material with prodigal recklessness. Every man is a genius, did he but know it; for he has latent capacities waiting to come into exercise whenever he allows himself to forget his finitude in contemplating and obeying the Infinite, which incessantly calls to him from within. If he listens to the voice it grows louder; if he obeys, it becomes more authoritative…

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Thus we see that Nature and Art constitute one world. They blend so imperceptibly that, in many cases, the line of demarcation between superhuman and distinctively human expressions is obliterated. Their mode of revelation is the same, and their forms are of the same description. Both are perceptible through the same outward medium sight. They are partial expressions that a deeper consciousness enables us to recognize as the work of one Creator. Genius is spiritual insight. It penetrates the outer envelopes of life and makes it possible for one to…

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13.ART AND NATURE. As man beholds the process of creation going on around him in the outer world, he at first supposes himself to be a product of natural forces or a mere cog in the machinery of the world, as it were. Recognizing only the finite in himself, not yet being aware of the existence of a deeper Self within, it is impossible for him conciously to identify that Self with the creative Spirit he sees manifested outwardly in beauty, goodness, truth, and harmony. But as he gradually becomes…

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The value of music as a therapeutic agent has long been a subject of more or less speculation and practical experiment. In “Music and Morals,” Mr. Haweis has hinted at certain possibilities in this direction. Music has frequently been employed, with highly satisfactory results, to alleviate suffering and dispel the morbid atmosphere which envelops sick-rooms, hospitals, and sanitariums. Suitable music is a sure antidote for “the blues,” if one is sufficiently receptive to its influence. Its importance as a remedial agent cannot be properly estimated until the general public shall…

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In the music-drama, Wagner has essayed to present ideas simultaneously in poetry, scenic art, and music, so that they shall command the undivided attention of all the perceptive faculties. Ideally, the music-drama represents the highest achievement of Art, because it attempts to express the profoundest human experiences in the most comprehensive manner.It is an advance beyond the spoken drama, in so far as music has power to awaken deeper, more subtle feelings than words. A similar universal artform was sought in the Greek tragedy; but the crude, undeveloped condition of…

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Music possesses both suggestive and stimulative potencies. Its constant flow of suggestiveness arouses the imaginative faculty from a state of passivity, so that one’s thought soars aloft in regions of the highest ideals. It lends wings to thought, which enable it to rise to higher planes, where, beyond the border line of definite suggestion, it is released in the realm of spiritual freedom, and left to its own originality, independent of the guidance of distinct forms. It sometimes fulfils this function best when heard at a distance, beyond the range…

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One should not try, in that sense, to understand music. The profoundest harmonies cannot be translated into definite forms of thought or natural images. One need only surrender to it, become passive, and let it speak as Nature speaks. People do not shun Nature under the pretext that her language is too complex and abstruse. Even uncultured people receive inspiration from the beautiful and sublime. The phrases “popular music” and “music for the masses” are frequently used to distinguish music which satisfies an inferior order of taste from that which…

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Equally erroneous is the impression that prevails to a considerable extent among all classes of people, viz., that music must be understood (comprehended intellectually) in order to be appreciated; that it is its chief function to portray or represent definite ideas by means of symbols forms requiring interpretation. If such were the case, unless one possessed a technical knowledge of the art, and had acquired the ability to interpret its symbols, it would, indeed, be useless to expect him to derive any great measure either of pleasure or benefit from…

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